TPO12阅读求解我仔细研究小站TPO答案,实在想不懂才请教各位,如果帮忙解答我会送分的有声电影那篇第五题：该段原文：Yetthismostfundamentalstandardofhistoricalperiodizationconcealsahostofparadoxes.N

Question

TPO12阅读求解
我仔细研究小站TPO答案,实在想不懂才请教各位,如果帮忙解答我会送分的
有声电影那篇第五题：
该段原文：
Yet this most fundamental standard of historical periodization conceals a host of paradoxes.Nearly every movie theater,however modest,had a piano or organ to provide musical accompaniment to silent pictures.In many instances,spectators in the era before recorded sound experienced elaborate aural presentations alongside movies' visual images,from the Japanese benshi (narrators) crafting multivoiced dialogue narratives to original musical compositions performed by symphony-size orchestras in Europe and the United States.In Berlin,for the premiere performance outside the Soviet Union of The Battleship Potemkin,film director Sergei Eisenstein worked with Austrian composer Edmund Meisel (1874-1930) on a musical score matching sound to image; the Berlin screenings with live music helped to bring the film its wide international fame.
　5.Paragraph 2 suggests which of the following about Eisenstein’s film The Battleship Potemkirf?
　　A○The film was not accompanied by sound before its Berlin screening.
　　C○Eisenstein’s film was the first instance of collaboration between a director and a composer.
但是Berilin之前不是有各种配音吗?而且也没有句子说这是第一部带音乐的电影.如果两个都不准确,我感觉A错得更离谱些

Answer 1

我试着 解释一下你看对不对啊.文章上来说,在早期的影院里,当时特别时髦的方法是用钢琴之类的去给silent pictures配声.说的是无声的图片啊.注意啊.后面开始举例子,说在before recorded sound experienced,这个时代之前各国怎么怎么做去尝试配一些声音.细节还是before这个单词啊.说白了就是人工的去配声音,但是电影本身是无声的.然后就说到film director Sergei Eisenstein worked on a musical score matching sound to image.说他在荧屏前把这个音乐直接和图片做到一起了.然后这种不需要人工单配乐的电影形式就出名了.
问题:A.说的就是在B之前电影里实际是没有配乐的,因为都是人工外加上的.所以对.整段也一直都在讨论有声电影和无声电影上.跟director and composer的组合工作形式没有什么关系.