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How is Jane Eyre affected by religion during the process of her growing?请英语达人帮助!如题~要求是写一个几百字的小短文~
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How is Jane Eyre affected by religion during the process of her growing?请英语达人帮助!
如题~要求是写一个几百字的小短文~
如题~要求是写一个几百字的小短文~
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答案和解析
啊,今天文学课刚上完勃朗特姐妹就看到这个问题~
Readers are given three pictures of religion in Jane Eyre.
First, we are given the brand of religion from Brocklehurst, which Jane deems too hypocritical and consequently rejects. The hypocrisy is painted through the contrasting appearances of Brocklehurst’s family and the students of Lowood. There is a scene where Brocklehurst orders that the curls of a Lowood student be cut. Because Brocklehurst espouses the Evangelical view that Christianity requires the purging of pride, he subjects Lowood students to these kinds of humiliation and deprivation. Note, however, that Brocklehurst practices his evangelism on Lowood students while his own family takes on a gay, luxurious appearance. This hypocrisy justifies the novel’s rejection of the nineteenth century Evangelical movement.
Second, Helen Burns’ brand of religion is one that forgives all wrongs in the name of Christianity. Jane rejects this, because she cannot train herself wholeheartedly for martyrdom like Helen’s, even if she admires Helen for it. The fact that Helen dies very young implies that her passivity is not suited for the trials that a person will face throughout the course of life.
Third, we are given the brand of religion of St. John Rivers, which casts the Christian in the role of saviour to the heathens and deliverer of God’s word to new flocks. Jane rejects this as well, because this type of religion seeks glory (which Jane does not desire) and forces her to curb her feelings and passions. Like Helen’s brand of religion, this forces her to deny her nature.
But while Jane rejects all three models of religion, she does not reject God or morality. This is exemplified by Bertha, one of Jane’s foils. Bertha responds to conflict in ways that Jane cannot. For example, Bertha succumbs to her desires and feelings, as evidenced by her promiscuity and alcoholism. Meanwhile, Jane denies her desires and feelings when she refuses to commit adultery by marrying Rochester while his first wife exists, because God forbids adultery. Jane rejects the models of religion from Brocklehurst, Helen and St. John, but eventually she discovers her own brand of Christianity: one that is not oppressive and hypocritical like Brocklehurst’s and not unnatural like Helen’s and St. John’s. It obeys God while allowing Jane her earthly pleasures and emotional desires.
Bronte’s views on religion were a reflection of how the events of the era filtered into her writing. During the parliamentary debates in 1829 regarding the Catholic question, the English debated on whether or not Catholics should be granted political rights equal to those of Protestants (Center for Research on Social Organization, p.1). These debates imply that there is the question of which religion – Protestantism or Roman Catholicism – deserve supremacy over England. Bronte may be espousing her own brand of morality in answer to these debates. Since Jane’s religion was not specified, and the reader only has her brand of morality to judge, Bronte could be saying that a person should not be judged according to one’s label (Catholic or Protestant), but should be judged instead by how one answers the call to be upright. Does the person’s response break laws of the Bible? Does the person’s response strike a balance between moral duty and practicability? Or is the response too hypocritical? The pictures of religion throughout Jane Eyre tackle these questions to a great extent.
Readers are given three pictures of religion in Jane Eyre.
First, we are given the brand of religion from Brocklehurst, which Jane deems too hypocritical and consequently rejects. The hypocrisy is painted through the contrasting appearances of Brocklehurst’s family and the students of Lowood. There is a scene where Brocklehurst orders that the curls of a Lowood student be cut. Because Brocklehurst espouses the Evangelical view that Christianity requires the purging of pride, he subjects Lowood students to these kinds of humiliation and deprivation. Note, however, that Brocklehurst practices his evangelism on Lowood students while his own family takes on a gay, luxurious appearance. This hypocrisy justifies the novel’s rejection of the nineteenth century Evangelical movement.
Second, Helen Burns’ brand of religion is one that forgives all wrongs in the name of Christianity. Jane rejects this, because she cannot train herself wholeheartedly for martyrdom like Helen’s, even if she admires Helen for it. The fact that Helen dies very young implies that her passivity is not suited for the trials that a person will face throughout the course of life.
Third, we are given the brand of religion of St. John Rivers, which casts the Christian in the role of saviour to the heathens and deliverer of God’s word to new flocks. Jane rejects this as well, because this type of religion seeks glory (which Jane does not desire) and forces her to curb her feelings and passions. Like Helen’s brand of religion, this forces her to deny her nature.
But while Jane rejects all three models of religion, she does not reject God or morality. This is exemplified by Bertha, one of Jane’s foils. Bertha responds to conflict in ways that Jane cannot. For example, Bertha succumbs to her desires and feelings, as evidenced by her promiscuity and alcoholism. Meanwhile, Jane denies her desires and feelings when she refuses to commit adultery by marrying Rochester while his first wife exists, because God forbids adultery. Jane rejects the models of religion from Brocklehurst, Helen and St. John, but eventually she discovers her own brand of Christianity: one that is not oppressive and hypocritical like Brocklehurst’s and not unnatural like Helen’s and St. John’s. It obeys God while allowing Jane her earthly pleasures and emotional desires.
Bronte’s views on religion were a reflection of how the events of the era filtered into her writing. During the parliamentary debates in 1829 regarding the Catholic question, the English debated on whether or not Catholics should be granted political rights equal to those of Protestants (Center for Research on Social Organization, p.1). These debates imply that there is the question of which religion – Protestantism or Roman Catholicism – deserve supremacy over England. Bronte may be espousing her own brand of morality in answer to these debates. Since Jane’s religion was not specified, and the reader only has her brand of morality to judge, Bronte could be saying that a person should not be judged according to one’s label (Catholic or Protestant), but should be judged instead by how one answers the call to be upright. Does the person’s response break laws of the Bible? Does the person’s response strike a balance between moral duty and practicability? Or is the response too hypocritical? The pictures of religion throughout Jane Eyre tackle these questions to a great extent.
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